Kamis, 20 Oktober 2016

Free Download The War That Saved My Life

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The War That Saved My Life

The War That Saved My Life


The War That Saved My Life


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The War That Saved My Life

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Audible Audiobook

Listening Length: 7 hours and 38 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Listening Library

Audible.com Release Date: January 8, 2015

Whispersync for Voice: Ready

Language: English, English

ASIN: B00QTTUZDI

Amazon Best Sellers Rank:

I bought this book based on reviews for my grand-daughter, and she loved it. She even gave it to my wife to read. When she did, a faint warning bell began ringing in my wife’s heart at the end of it, something she couldn’t quite put her finger on. She went ahead and bought the sequel for our grand-daughter, “The War I Finally Won”, but that nagging feeling prompted her to read this book before giving it to her. All the way through the book, that “something” continued to trouble her until it became clear what the author’s hidden agenda was: to prepare young hearts to believe that a certain (carefully unspecified) lifestyle is ok, even if some people, such as one’s parents, reject you, and that if you choose that unmentioned lifestyle, you’re not at all wrong; you’re a victim, and you might even become a wonderful hero.This is a very well written book, but extraordinarily crafty in its ulterior motive, that innocent young girls will very much enjoy reading.

As a child I was what one might call a selective reader. Selective in that I studiously avoided any and all works of fiction that might conceivably be considered "depressing". "Bridge to Terabithia"? I'll have none please. "Island of the Blue Dolphins"? Pass. "Jacob Have I Loved?" Not in this lifetime. Lord only knows what caused a book to be labeled "depressing" in my eyes before I'd even read it. I think I went by covers alone. Books picturing kids staring out into the vast nothingness of the universe were of little use to me. Happily I got over this phase and eventually was able to go back to those books I had avoided to better see what I had missed. Still, that 10-year-old self is always with me and I confer with her when I'm reading new releases. So when I read "The War That Saved My Life" I had to explain to her, at length, that in spite of the premise, cover (again with the kids staring out into nothingness), and time period this isn't the bleak stretch of depressingness it might appear to be. Enormously satisfying and fun to read, Bradley takes a work of historical fiction and gives the whole premise of WWII evacuees a kick in the pants.Ada is ten and as far as she can tell she's never been outdoors. Never felt the sun on her face. Never seen grass. Born with a twisted foot her mother considers her an abomination and her own personal shame. So when the chance comes for Ada to join her fellow child evacuees, including her little brother Jamie, out of the city during WWII she leaps at the chance. Escaping to the English countryside, the two are foisted upon a woman named Susan who declares herself to be "not nice" from the start. Under her care the siblings grow and change. Ada discovers Susan's pony and is determined from the get-go to ride it. And as the war progresses and things grow dire, she finds that the most dangerous thing isn't the bombs or the war itself. It's hope. And it's got her number.I may have mentioned it before, but the word that kept coming to mind as I read this book was "satisfying". There's something enormously rewarding about this title. I think a lot of the credit rests on the very premise. When a deserving kid receives deserving gifts, it releases all kinds of pleasant endorphins in the brain of he reader. It feels like justice, multiple times over. We're sympathetic to Ava from the start, but I don't know that I started to really like her until she had to grapple with the enormity of Susan's sharp-edged kindness. As an author, Bradley has the unenviable job of making a character like Ada realistic, suffering real post-traumatic stress in the midst of a war, and then in time realistically stronger. This isn't merely a story where the main character has to learn and grow and change. She has this enormous task of making Ava strong in every possible way after a lifetime of systematic, often horrific, abuse. And she has to do so realistically. No deus ex machina. No sudden conversion out of the blue. That she pulls it off is astounding. Honestly it made me want to reread the book several times over, if only to figure out how she managed to display Ada's anger and shock in the face of kindness with such aplomb. For me, it was the little lines that conveyed it best. Sentences like the one Ada says after the first birthday she has ever celebrated: "I had so much. I felt so sad." It's not a flashy thing to say. Just true.You can see the appeal of writing characters like Ada and Jamie. Kids who have so little experience with the wider world that they don't know a church from a bank or vice versa. The danger with having a character ignorant in this way is that they'll only serve to annoy the reader. Or, perhaps worse, their inability to comprehend simple everyday objects and ideas will strike readers as funny or something to be mocked. Here, Bradley has some advantages over other books that might utilize this technique. For one thing, by placing this book in the past Ada is able to explain to child readers historical facts without stating facts that would be obvious to her or resorting to long bouts of exposition. By the same token, child readers can also pity Ada for not understanding stuff that they already do (banks, church, etc.).Ms. Bradley has written on her blog that, "I don't write in dialect, for several reasons, but I try to write dialogue in a way that suggests dialect." American born (Indiana, to be specific) she has set her novel in historical England (Kent) where any number of accents might be on display. She could have peppered the book with words that tried to replicate the sounds of Ada's London accent or Susan's Oxford educated one. Instead, Ms. Bradley is cleverer than that. As she says, she merely suggests dialect. One of the characters, a Mr. Grimes, says things like "Aye" and ends his sentences with words like "like". But it doesn't feel forced or fake. Just mere hints of an accent that would allow a reader to pick it up or ignore it, however they preferred.Basically what we have here is "Anne of Green Gables" without quite so much whimsy. And in spite of the presence of a pony, this is not a cutesy pie book. Instead, it's a story about a girl who fights like a demon against hope. She fights it with tooth and claw and nail and just about any weapon she can find. If her life has taught her anything it's that hope can destroy you faster than abuse. In this light Susan's kindness is a danger unlike anything she's ever encountered before. Ms. Bradley does a stellar job of bringing to life this struggle in Ada and in inflaming a similar struggle in the hearts of her young readers. You root for Ada. You want her to be happy. Yet, at the same time, you don't want your heart to be broken any more than Ada does. Do you hope for her future then? You do. Because this is a children's book and hope, in whatever form it ultimately takes, is the name of the game. Ms. Bradley understands that and in "The War That Saved My Life" she manages to concoct a real delight out of a story that in less capable hands would have been a painful read. This book I would hand to my depression-averse younger self. It's fun. It's exciting. It's one-of-a-kind.For ages 9-12.

Wow! We really loved this well-written book. I even learned a new word, chivvying! I read it to my 7-year-old. Actually, the entire family listened raptly during a 2-hour car trip even though my husband, mother, and older daughter only heard a portion of the middle of the book during the trip. The story is just that engaging. It really gives you an interesting perspective on that time in history. My daughter had never heard of a newsreel so we watched some showing the evacuation of troops at Dunkirk. It really made history so real for my daughter and for me too really.The book also does an amazing job of showing how the physical and emotional abuse faced by Ada and to a lesser extent Jaime, affected them and their choices. My daughter and I spent a lot of time discussing why Ada acted in a certain way. We often stopped and dissected the scenes even going so far as to discuss PTSD when Ada was afraid of going into the little bomb shelter that brought back the fear of being locked in the damp, crowded, bug-infested cabinet under the kitchen sink in her mam's flat. The author does such a great job of sharing with the reader Ada's inner turmoil and fears. We also spent some time discussing Jaime's behavior and even Susan's. Understanding Mam was much more difficult so I just explained to my daughter that sometimes we do not understand why people do horrible things. Even if we did understand Mam, it would not excuse her for the choices she made. They were still her choices.One reviewer mentioned the bad language. There are a few times bloody (which is a bad word in the U.K. but not here) and hell are used. The only word I edited out on the fly as I was reading to my 7-year-old was sl@t. Mam calls Susan a "lazy sl@t in a fancy house." I substituted cow and my daughter did not notice. I also decided not to go into Susan and Becky's relationship. The book says they were friends from university and that explanation was perfectly fine for my 7-year-old.This is a great book packed with insights not only into the time period of war torn England from the perspective of a child but also into the timeless themes of human nature.

In my opinion the topics in this book are for a more mature audience. The main character, Ada, a 10 year old girl, is severely abused and neglected by her mother. Ada was born with a club foot. While surgery could have corrected the club foot, Ada’s mother chose not to forgo the surgery to save money. Instead she kept Ada locked in their flat and told people she was “simple” or mentally handicapped as well as physically handicapped. Sadly her mother’s pure hatred towards her, while may be reality for many children, is too harsh for a children’s book. I was also not happy with the hints of prostitution, lesbianism, and the use of the word slut in the book, as well as many historical inaccuracies. I do not recommend this book to children.

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Jumat, 14 Oktober 2016

Ebook Free Local Custom: Liaden Universe Space Regencies, Book 1By Sharon Lee, Steve Miller

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Local Custom: Liaden Universe Space Regencies, Book 1By Sharon Lee, Steve Miller

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Local Custom: Liaden Universe Space Regencies, Book 1By Sharon Lee, Steve Miller

The first of the seven books set in the Liaden Universe tells a rich and sweeping story of warring families and star-crossed lovers in a fantastic, other-world galaxy.

  • Sales Rank: #82512 in Audible
  • Published on: 2012-09-04
  • Format: Unabridged
  • Original language: English
  • Running time: 691 minutes

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Senin, 19 September 2016

Free Ebook Buy Low, Sell High, Collect Early and Pay Late: The Manager's Guide to Financial SurvivalBy D. Levin

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Buy Low, Sell High, Collect Early and Pay Late: The Manager's Guide to Financial SurvivalBy D. Levin

Buy Low, Sell High, Collect Early and Pay Late: The Manager's Guide to Financial SurvivalBy D. Levin


Buy Low, Sell High, Collect Early and Pay Late: The Manager's Guide to Financial SurvivalBy D. Levin


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Buy Low, Sell High, Collect Early and Pay Late: The Manager's Guide to Financial SurvivalBy D. Levin

Without sacrificing accuracy or relevance, here is an often humorous, sometimes irreverent approach to basic accounting, finance, and income taxes that shows you how to:

  • "Talk back" to your accountant
  • Answer the question "If we are making all this money, how come we never have any cash?"
  • "Win the tax game"
  • Borrow more money from your banker

If you need to know any or all of these "how to's," Dick Levin's practical book is a must. He begins with a basic review of accounting terms, takes you through analysis of actual finan-cial statements using industry ratios, answers your questions about where the money comes from and where it goes, explains why rapidly growing companies do not always generate the money they need to stay alive, and winds up giving you sound advice about income taxes.

Using an anecdotal approach, Dick Levin makes accounting, finance, and tax laws interesting and easy to understand.

Dick Levin, Ph.D., is Associate Dean, School of Business Administration, University of North Carolina, Chapel Hill. He is also the author of The Executive's Illustrated Primer of Long-Range Planning and Strategy in a Nutshell.

  • Sales Rank: #1430568 in Books
  • Published on: 1983-02
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 256 pages

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Sabtu, 17 September 2016

Ebook Free WordPress 4.0 Site Blueprints - Second EditionBy Rachel McCollin

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WordPress 4.0 Site Blueprints - Second EditionBy Rachel McCollin

WordPress 4.0 Site Blueprints - Second EditionBy Rachel McCollin


WordPress 4.0 Site Blueprints - Second EditionBy Rachel McCollin


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WordPress 4.0 Site Blueprints - Second EditionBy Rachel McCollin

Create a variety of exciting sites for e-commerce, networking, video streaming, and more, using WordPress

About This Book
  • Build ten different types of website using WordPress
  • Transfer your static site to WordPress and create sites to make money, build communities, and share your ideas
  • The projects in the book will teach you how to use free themes and plugins without any prior coding experience
Who This Book Is For

WordPress Site Blueprints is suitable for new or experienced WordPress users. You don't need to be a PHP developer or have ever created a WordPress theme or plugin. Instead the book will help you use themes and plugins (all free) to create a wide range of sites. Familiarity with the WordPress interface will help you but you don't need to be able to write code.

What You Will Learn
  • Migrate your old static site into WordPress
  • Create a network of sites for other people to work with each other
  • Build a great store using the free WooCommerce plugin
  • Create a video streaming site linked to YouTube
  • Create a review site for products, services, or anything you'd like
  • Create a jobs board so people can post jobs and apply for them
  • Create websites that focus on networking such as a social media site, a communications center for your team, and a membership site to build a community
  • Create a beautiful gallery site to showcase your photography
In Detail

WordPress is the world's most popular Content Management System (CMS) and you can use it to create any kind of site you or your clients need. Using free plugins and themes for WordPress, you can create a store, a social media site, a review site, a video site, a network of sites or a community site, and more. Wordpress makes your job of creating your own website simple and hassle-free!

If you've started using WordPress to create a blog or simple website, you'll have had a taste of the opportunities offered by this massively popular CMS.

This book will take you through the process of creating ten popular kinds of site using WordPress with free plugins and themes, each chapter covering various functionality of the web. After having learned how to migrate from your static site to Wordpress in the first chapter, you will then explore the world of social networking websites followed focusing on e-commerce. Without writing too much code, you'll be able to create a store, a video streaming site, a team communications site, a jobs board, and more.

This book is a one-stop solution to resolve all your worries about creating a website that will give the best experience to your users.

Style and approach

A project-based step-by-step guide to creating ten different types of popular website using WordPress. This book takes you through clear and logical steps, with screenshots and tips along the way to help you follow the guide and learn how to get more from WordPress.

  • Sales Rank: #1443945 in Books
  • Published on: 2015-10-01
  • Released on: 2015-09-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .73" w x 7.50" l, 1.23 pounds
  • Binding: Paperback
  • 357 pages

About the Author

Rachel McCollin

Rachel McCollin is an experienced WordPress developer and writer with a reputation for making difficult technical subjects easy to understand. She's been building WordPress sites for clients since 2010, and this is her fourth book on the technology. She's a regular writer for some of the most influential web design and development websites and her writing has helped thousands of people learn how to get started with WordPress and gain more from it.

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WordPress 4.0 Site Blueprints - Second EditionBy Rachel McCollin PDF

WordPress 4.0 Site Blueprints - Second EditionBy Rachel McCollin PDF
WordPress 4.0 Site Blueprints - Second EditionBy Rachel McCollin PDF

Kamis, 25 Agustus 2016

Ebook The Iliad of Homer

Ebook The Iliad of Homer

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The Iliad of Homer

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The Iliad of Homer


Ebook The Iliad of Homer

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Review

"Both lucid and learned, Lattimore writes with a certain grace, capturing the combination of nobility and speed which over 100 years ago Matthew Arnold famously heard in Homer’s work. . . . Read Richmond Lattimore's translation for the epic scale and narrative of Homer's poem." (Economist)"Martin's introduction surpasses all rivals. . . . Lattimore's Iliad is best for those who want to feel the epic from the loins up, its rush, its reprieves, and its overwhelming rage." (Chronicle of Higher Education)“I had an invaluable and inspiring high school teacher, Robert Cooley, who introduced me to both Lattimore's The Iliad and The Odyssey during my senior year. It was my first experience with the power of drama and poetry combined. Little did I know that I would spend the rest of my life (especially professionally) searching for experiences that would be as satisfying. The fact that I fell in love for the first time with the guy sitting next to me didn’t hurt my journey through those books either.” (Laura Linney T Magazine)

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About the Author

Richmond Lattimore (1906–1984) was a poet, translator, and longtime professor of Greek at Bryn Mawr College. Richard Martin is the Antony and Isabelle Raubitschek Professor in Classics at Stanford University.

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Product details

Paperback: 606 pages

Publisher: University of Chicago Press (2011)

Language: English

ISBN-10: 0226470490

ISBN-13: 978-0226470498

Product Dimensions:

5.5 x 1.3 x 8.5 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

4,072 customer reviews

Amazon Best Sellers Rank:

#29,842 in Books (See Top 100 in Books)

REVISED 11/07/16: Homer's ILIAD should be read by every literate person who strives to be well-educated, and Caroline Alexander's 2015, modern translation is an excellent way to read it. It is sound, solid, clear and direct, and respectful of Homer's original. Her English syntax is natural and flowing, understandable but not (as in some other recent, modern versions) flippant or too colloquial. I rate the translation 5-stars, though I was initially tempted to rate this ebook edition of it at least one star lower because of its formatting.As very good as Alexander's translation is, this ebook edition doesn't do it justice with regard to its textual formatting. Between indents and long-line carry-overs, the left margin unevenly zig-zags in-and-out on a Kindle screen. Just when I thought I had it figured out some double-indents appeared to add to the confusion. Sadly, downloading a sample won't reveal this; the sample will only provide pages from the Introduction, whose modern prose is quite properly and comfortably presented. It is the poetry of the ILIAD itself whose indented lines are so annoyingly erratic, and this will only be evident to those who actually purchase it and read beyond the sample. Interestingly, in the very first few screens of this ebook (which do appear in the sample), a note from the publisher appears concerning this matter, apparently recognizing it as a possible source of confusion but essentially saying (in effect) that's how it is on a small-screen device, it's the nature of the beast, and readers must try to get used to it. And so I am trying, mollified somewhat by the fact that I paid only $.99 for it -- rather than $14.99 (its original price) -- during a special sales-promotion period. But more importantly, I have since discovered the formatting is IDEAL if the text is viewed in wider-screen, landscape mode on one's Kindle device. If you are able to make that adjustment (something my Kindle Paperwhite could not do until the last upgrade), the formatting problem is virtually solved and the long lines appear comfortably normal.I have read dozens of different translations of the ILIAD, and though I find Alexander's translation to be highly commendable, there ARE other great ones available (even one or two good FREE ones), many of them identified under FYI at the end of this review. Nevertheless, because this one is particularly well-done and desirable, you may even wish to obtain a hardcovered ($39.99) or paperback ($19.99) edition of it as a "keeper copy." (I intend to seek a less expensive used copy.)There have been numerous translations of the ILIAD in recent years, but while I suspect in time many of them will fall by the wayside, this one may not. Caroline Alexander's stands a good chance to remain, not only because it is THE best among most recent ones, but because it is ONE of the best among ALL translations of the ILIAD. But great though it is, it will survive in the economic marketplace only if it is competitively priced with those others. Happily, its ebook price has come down from $14.99 to $12.99 and more recently to $8.99 (making it a strong contender).Caroline Alexander is also the author of THE WAR THAT KILLED ACHILLES: THE TRUE STORY OF HOMER'S "ILIAD" AND THE TROJAN WAR (Viking Penguin, 2009). Those who enjoy her ILIAD may wish to read it.FYI: The first translation of the ILIAD was by George Chapman (1611), a formal and majestic Elizabethan English version in verse that is of interest today mainly in connection to its role in literary history. Two, free, public domain versions by Edward George Geoffrey Smith Stanley Derby (1862) and by Theodore Alois Buckley (1873) are pretty unpleasant to read; skip them. It's probably best to also steer clear of one by William Cowper (1791). Two old translations that remain popular, are easy to obtain in public domain editions, and ARE worth reading are by Alexander Pope (1715-20, in verse) and Samuel Butler (1898, in very readable prose). A once highly regarded one by Andrew Lang, Walter Leaf, and Ernest Myers (1883) was used by the Modern Library until replaced by Ennis Rees' wonderful translation (1963), my favorite. The best ILIAD translation is arguably by Richmond Lattimore (1951) with Robert Fitzgerald's (1974) being a strong contender for second-best. A 1938 one by W.H.D. Rouse is serviceable and generally okay. Likewise, Robert Graves offers a novelized version (1959) that is very readable but not a strict translation. Three excellent newer ones are by Robert Fagles (1990), Peter Jones (a superb 2003 revision of E.V. Rieu's popular 1950 version), and this one by Caroline Alexander (2015). Peter Green's highly literate translation (2015) is technically excellent but not as readable as the three just mentioned. Several other good, recent ones are by Michael Reck (1994, but now hard-to-find), Ian Johnston (2006), and A.S. Kline (2009). Three recent ones that I don't particularly care for are by Stephen Mitchell (2011, who omits too much textual content), Stanley Lombardo (1997), and Barry B. Powell (2013). These are just SOME of the other translations available.

UPDATED 09/13/17: Homer's "Iliad" is a truly 5-star great work of literature, and I certainly agree with all the other reviewers who extol its virtues, but the person who translates this epic poem into English from the archaic Greek is all-important to one's appreciation and enjoyment of it. One needn't suffer through a poor translation when good ones are available. The public domain translation by Edward George Geoffrey Smith Stanley Derby (hereafter referred to as Lord Derby) -- FOR WHICH THIS REVIEW WAS ORIGINALLY WRITTEN -- is outdated and not particularly good; it is certainly not enjoyable to read. (For that reason, I suspect few of the rave reviewers, though they quite rightly love and enjoy the "Iliad," have actually endured THAT particular public domain translation of it.)This review is now attached to OTHER editions by (perhaps) OTHER translators; hopefully they will be identified in the Kindle Store blurb so you can choose a good one (and avoid Lord Derby's, which I have rated 2-stars). Disappointingly, the AmazonClassics edition does not identify its translator (seemingly Derby, but in any case, just as bad), though it HAS added line numbers.Faithfulness to the original language AND readability are what one seeks in any translation of the "Iliad," and the translator must strike a proper balance between the two. Greek sentences are structured differently from English sentences, and adhering too strictly to Greek word order and syntax will result in very awkward English. Throw Homer's poetic form into the equation and the result can be a very unreal English syntax. The translator has to determine what Homer said and meant (back then) in Greek and decide how BEST to communicate that to us (today) in English.There is no particular virtue in reading a sometimes convoluted Elizabethan or Victorian rendering of the "Iliad" in iambic pentameter or heroic couplets (since Homer used neither) unless one especially enjoys reading such. In fact, foundational differences in the two languages prevent a true equivalence in English of Homer's original poetic structure in Greek; that is the reason why many translators, considering any such versification to be artificial at best and dishonest at worst, render this work in prose. But at the very least Homer's poetic form was comparatively simpler and his linguistic expression was more direct than some older translators using English poetical formats make him seem; that is why other translators now often choose free verse as being an acceptable alternative to either complex metrical forms or prose.Of course, being readable or "understandable" is not the same as being "easy," and being too simple or too contemporary is no more of a virtue than being too difficult or too old-fashioned; rendering Homer's Greek into remedial-reader English or today's slangy vernacular is inappropriate, inaccurate and does the modern reader a disservice -- so one must choose one's "Iliad" (and one's translator of it) very carefully (a task not made any easier by countless Kindle Store editions -- like the one from AmazonClassics -- whose blurbs fail to identify the translator, or which seem to describe one translation but actually provide another).Below (in no particular order) are various translations (most, but not all of them, good) that I have read and can personally attest to. Several are available as ebooks; others may have to be obtained new or used in paperback or hardcover. Some adopt a poetic format; the others (which I have specifically indicated) are in prose.(1) Robert Fagles' 1990 free verse translation from Penguin is particularly readable (and the introductory information by Bernard Knox is invaluable). Perhaps due to its having been somewhat over-hyped, academicians now seem less enthralled by it than they once were, some on the grounds that Fagles does not always strictly adhere to Homer -- but usually that claim is made when comparing Fagles' to more literal translations, ones that are more scholarly but much less readable. I find his version quite sound, and I (and many others) still like it. I think it merits serious consideration as an excellent first choice and a contender for favorite translation.(2) E.V. Rieu's original 1950 prose version (from Penguin) was very understandable but in some specific instances treated Homer a tad too freely. This has been remedied in the present prose version, expertly updated by Peter Jones in 2003. I liked the original very much, but I like the update even better. This is also a very good first choice and a favorite of many.(3) W.H.D. Rouse provided a sometimes loose but generally serviceable, 1938 prose rendering which was long available as a popular, low-priced paperback. At one time this self-proclaimed "plain language" version was widely used in many public schools because it was inexpensive and considered easier-to-understand than other (pre-1938) versions then available; with newer versions today, that ease is debatable. An ebook edition of it as a Signet Classic from Penguin is currently available in the Kindle Store.(4) Ennis Rees' refreshing, 1963 free verse translation from Random House/Modern Library is my favorite and not too dissimilar in style from Fagles' but (perhaps) more straight-forward. At present, it may not be easy to locate a copy outside of a used book store since it seems to be out-of-print.(5) Michael Reck's 1994 version, from HarperCollins, stresses its adherence to the oral tradition and is an honest, solid, respectful, and understandable translation. Though it seems to be lesser known, it is faithful to the Greek yet with comfortable English syntax. It also is not easy to find; an ebook edition, available when I originally wrote this in 2012, has sadly since disappeared from the Kindle Store.(6) Alfred Hurd Chase & William G. Perry Jr., wrote a prose version in 1950 once available in paperback from Bantam and used in schools. I haven't seen this lately, but it is very readable, and I treasure my battered old copy.(7) Richmond Lattimore's VERY accurate 1951 translation is published by the University of Chicago. It is much heralded but more scholarly and more difficult to read than other modern versions; it is widely regarded as THE very best translation. While I recognize its true greatness, it is not my favorite due to its awkward English syntax (making it, for me, a chore to read).(8) Robert Fitzgerald's 1974 translation from Doubleday is very highly regarded, but it is not an easy read. Many names are spelled less familiarly (such that "Achilles" becomes "Akhilleus"). I have a love-hate relationship to this version. It would not be my first choice for story comprehension and ease-of-reading, but its rich visual imagery and keen word-play amply reward anyone willing to make the effort to read it and devote the time to fully savor it. As I become disenchanted by the shallow simplicity and flippancy of some newer translations, I find this one becoming ever more appealing to me. After Lattimore, this is generally regarded by many as the second-best translation.(9) Robert Graves made an exciting novel-like, prose "translation" in 1959 titled "The Anger of Achilles" which is literate, generally respectful to the original, and particularly enjoyable. This lively version is great fun to read -- though debatably not a "true" and proper translation -- and an ebook edition will be found in the Kindle Store.(10) Stanley Lombardo's well-received 1997 translation is one I didn't fully read, because what I did read of it didn't impress me. Both in tone and in linguistic style, I found it to be an odd and inconsistent mix of formal and informal, noble words and deeds juxtaposed with jarring colloquialisms. I am probably in the minority, but I did not like this version.(11) Alexander Pope's classic version (1715-1720) is arguably more Pope than Homer, though some people love his heroic couplets, and it IS truly a poetic masterpiece in its own right. For many Pope fans, THIS is the one and only "Iliad," and if Homer didn't write his this way, he SHOULD have.(12) William Cowper's 1791, blank verse version demonstrates, by comparison, just how good Pope's is. Cowper's rendering results in awkward English syntax that is not as much to be read as deciphered. When I have to mentally re-translate a translation, I seek another.(13) Stephen Mitchell's 2011 translation demonstrates that being new and easy isn't necessarily always better. Like Lombardo, he uses too much inappropriate and sometimes jarring colloquial English, but unlike all the others, he expunges quite a few sections (and one entire book) of traditional text he feels are post-Homeric additions. (But what if he is wrong?) Given the accretive nature of this epic at virtually every stage in its development and transmission to us, this excision seems ill-advised. Being thus different in material-content from ALL the others, this ipso facto abridgment causes it to be something of a secondary or niche translation.(14) Andrew Lang, Walter Leaf, and Ernest Myers rendered the "Iliad" into late 19th century, "modern" English in their 1883 prose version. Although slightly old-fashioned in style, it is quite readable and has a reputation for accuracy. My copy is an old Modern Library Giant.(15 & 16): Two new translations currently available in the Kindle Store, one by Ian Johnston (2006) and the other by Barry P. Powell (2013), I have only sampled. I found nothing dramatically wrong with either of them, except a colloquialism or two in Powell's that seemed incongruous to me, such as when he has Agamemnon say to his men, "So don't rub me the wrong way" (Book 1, Line 33). Both pass muster in that Homer is generally honestly and powerfully rendered, but I personally don't care for Powell's translational flippancy and style. Neither translator offers a significant qualitative improvement over other recent translations, though Johnston comes close, and I prefer him to Powell.(17) Caroline Alexander's 2015 translation from HarperCollins DOES offer a superb and significant improvement over other recent translations, and I highly recommend it. Without a doubt the best among new ones, it is also superior to many old ones. Though solid and true to Homer, her English syntax is direct and natural, never flippant or colloquial. The ebook formatting of its long lines, necessarily divided on small-screen, Kindle-type devices, is uneven and distracting -- but that is easily remedied by switching to landscape mode.(18) Peter Green's 2015 translation, published by the University of California Press, is rightly praised for its faithfulness to Homer's Greek (not unlike Lattimore) and its lush poetic imagery, but because of that, its English syntax is not always as smooth or direct as might be desired. Nevertheless, it is superior in many ways to other recent versions mentioned above (by Johnston, Lombardo, Mitchell, and Powell), but NOT (in my opinion) to Caroline Alexander's (which I find more readable).(19) A.S. Kline's 2009 translation provides a version for the average, non-specialist reader and is currently bargain-priced at only $1.99, but his heavy use of commas offsetting every phrase makes for choppy reading.(20) George Chapman was the first translator of Homer, and his formal but majestic, Elizabethan verse edition of 1611 was (and by some, still is) highly regarded. Today, its interest to us is more in the realm of literary history than as a practical choice for general reading.(21) Theodore Alois Buckley's public domain version (1873) is no better than Lord Derby's, and like it, should probably best be avoided.(22) Samuel Butler's sturdy, 1898 prose version is worth considering (and I will say more about it below as a public domain alternative to Lord Derby's).The above list is by no means complete -- there are MANY others -- but it hints at the number and variety of translations that exist. Each of these translations (whether prose or poetry) has particular strengths and weaknesses as well as supporters and detractors, and none is perfect. That, not unexpectedly, creates some robust debate among readers of them. But, in my opinion, most of them are preferable to the public domain version by Lord Derby.I would certainly encourage you to consider trying some or all of the above, but I might suggest (purely as a practical and inexpensive starting point) the public domain, prose translation by Samuel Butler, available for free from various online sources. A free verson may not be currently offered in the Kindle Store, but several well-formatted editions are sold there for as little as $.99, and for that low price some even include Butler's translation of "The Odyssey." Although a well-known, late 19th century translator of Homer's two epics and the favorite of many readers, Samuel Butler isn't necessarily the scholar's favorite, and (like virtually every other translator of Homer) he has a few idiosyncrasies [see the NOTE below]. Therefore, he may not be considered the "best" translator from an academic perspective, but Samuel Butler's English IS straightforward, comparatively easy-to-read, and appropriately majestic but quite understandable; you will certainly be able to better appreciate and enjoy the drama and sweep of the "Iliad" in HIS version rather than struggle with the awkward English of Lord Derby's.NOTE: One of Butler's idiosyncracies (which is by no means unique to him) is a preference for using the names of Roman deities rather than the Greek (as in "Jove" rather than "Zeus"). He did so because he felt readers of his time were more familiar with the Roman names; today, the opposite is true. I do, however, own two hardcovered editions of Butler's translation in which all the Greek names have been restored, so presumably there MAY be a similarly treated ebook available (though I haven't yet found it). Not all (nor even, most) Greek names have been so treated by Butler; "Achilles," for example, remains "Achilles" (though "Odysseus" does become "Ulysses"). But for most readers the occasional appearance of a Roman name should prove to be little more than a minor distraction from an otherwise enjoyable text. Since no translation is perfect, at least this imperfection is quite bearable.ADDENDUM: Today the distinctions between poetry and prose treatments are fading due to the replacement of old, rigid metrical forms with new, free verse translations that are as direct, pleasant and comfortable-to-read as their prose counterparts. By going with the flow and reading the text as written, adhering to punctuation, pausing at commas and stopping at periods, but NOT slavishly and artificially stopping at the end of lines UNLESS punctuation dictates, readers should find in these free verse translations language as natural and understandable as that contained in prose versions. With so many wonderful translations currently available (whether in prose or in poetry), NOW is truly a great time to find and read an "Iliad" that's just right for you.

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Ebook Opting Out?: Why Women Really Quit Careers and Head HomeBy Pamela Stone

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Opting Out?: Why Women Really Quit Careers and Head HomeBy Pamela Stone

Noting a phenomenon that might seem to recall a previous era, The New York Times Magazine recently portrayed women who leave their careers in order to become full-time mothers as “opting out.” But, are high-achieving professional women really choosing to abandon their careers in order to return home? This provocative study is the first to tackle this issue from the perspective of the women themselves. Based on a series of candid, in-depth interviews with women who returned home after working as doctors, lawyers, bankers, scientists, and other professions, Pamela Stone explores the role that their husbands, children, and coworkers play in their decision; how women’s efforts to construct new lives and new identities unfold once they are home; and where their aspirations and plans for the future lie. What we learn—contrary to many media perceptions—is that these high-flying women are not opting out but are instead being pushed out of the workplace. Drawing on their experiences, Stone outlines concrete ideas for redesigning workplaces to make it easier for women—and men—to attain their goal of living rewarding lives that combine both families and careers.

  • Sales Rank: #239145 in Books
  • Published on: 2008-06-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .88" w x 6.00" l, .94 pounds
  • Binding: Paperback
  • 310 pages

From Publishers Weekly
Opting out," "off-ramping" and "following the mommy track" are all popular terms to describe professional women who leave their jobs to be stay-at-home moms. But do they describe the truth of the matter? Stone, an associate professor of sociology at Hunter College and the CUNY Graduate Center, set out to answer this question after discovering that there was no research on the matter; perceptions of these women were shaped almost exclusively by the media. Stone conducted in-depth interviews with 54 women: white women who had been highly successful professionals and were married to men who could support them while they stayed at home—i.e., women who had a "choice." What Stone found was fascinating and surprising: women quit because of work, not family, and only as a last resort: "They have been unsuccessful in their efforts to find flexibility or... because they found themselves marginalized and stigmatized, negatively reinforced for trying to hold onto their careers after becoming mothers." These women were abandoning "all-or-nothing" workplaces where the demands were so unrelenting that, as one mutual fund trader put it, "there were days when I couldn't get up from my desk to go to the bathroom." Stone's revealing study adds an important counterpoint to Leslie Bennetts's forthcoming The Feminine Mistake. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"A highly worthwhile book."--"American Jrnl of Sociology / Ajs"

"A highly worthwhile book."--"American Journal of Sociology / Ajs"

From the Inside Flap
"With insight and compassion, Pamela Stone shows convincingly that, far from representing a return to tradition, the decision of some women to relinquish high-powered careers is a reluctant and conflict-ridden response to the growing mismatch between privatized families and time-demanding jobs. By charting the institutional obstacles and cultural pressures that continue to leave even the most advantaged women facing impossible options, Opting Out? gets beneath the hype and offers the real story behind the misleading headlines. This groundbreaking study is required reading for anyone who cares about the fate of families, work, and gender equality in contemporary America."—Kathleen Gerson, author of Hard Choices: How Women Decide About Work, Career, and Motherhood

"Pamela Stone's Opting Out? is a creative and beautifully written addition to the burgeoning scholarly and popular literature on work and family. Stone gives voice to those elite career women—the 'best and the brightest'—who have returned home to raise their kids. She creatively unpacks these women's 'choices,' describing both the 'pulls' of family life but also the labor market 'pushes.' Opting Out? is a fully nuanced portrait of women (and their husbands) struggling to make important life decisions in a culture that often provides only simplistic zero-sum alternatives: mom or worker, even though most women are already working moms. Women want alternative visions of working motherhood, yet are often stymied by outmoded workplace models (and firms and managers) insensitive to the concerns of working families. Stone's work challenges our organizational leaders and policy makers to do better, for women, but also more generally for working families, workplace organizations, and society as a whole."—Patricia A. Roos, Rutgers University

"Pamela Stone has listened to women with high powered careers now at home with their kids as no one else has. Bringing an open mind and equal parts sympathy and skepticism, coupled with years of training as a social scientist, Stone analyzes the opt out decision and comes to surprising conclusions. Delving beneath the superficial, media-friendly explanations, she finds the real movers in the drama: rising norms of intensive mothering, fathers ensconced in even more demanding and better-paying jobs, and inflexible workplaces that refuse to accommodate reduced hours. Brilliantly written and argued, this book reveals what's really going on in women's minds and corporate America today, and what we can do to make equal opportunity at home and on the job reality rather than rhetoric."—Heidi Hartmann, Institute for Women's Policy Research

"A fascinating, fine-grained look at the real reasons why many professional women with children leave the workplace. Stone's research and her well-written account make it clear that educated mothers aren't opting out; they are being shut out by inflexible employers. Must reading for anyone interested in understanding the 'reality of constraint' behind the 'rhetoric of choice.'"—Ann Crittenden, author of The Price of Motherhood

"Based on a study, but told through the eloquent stories of women who are at-home mothers, this seminal book goes beyond the myths, misconceptions, and even what is usually said, to reveal very important and compelling truths. Everyone who cares about work and family life in the United States today needs to read this book."—Ellen Galinsky, President, Families and Work Institute, and author of Ask the Children

"A brilliant analysis. With exquisite sensitivity, Stone unpacks the painful process by which most women who 'opt out' feel pushed out by workplace pressures from their own-and their husbands'-all-or-nothing careers. This book offers sophisticated sociology at its accessible best, in the tradition of Arlie Hochschild's pathbreaking work."—Joan Williams, author of Unbending Gender

"'Ladies, start your engines.' This exhortation concludes the illuminating analysis of vibrant, fully realized stories Pamela Stone heard in talking to women who left professional work for full-time home life. Thank you, Pamela Stone, for producing new knowledge that both individuals and business policy-makers will find essential in creating the conditions that will enable business professionals to meet this profound social and economic challenge."—Stewart Friedman, Director, Wharton Work/Life Integration Project, University of Pennsylvania

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Jumat, 12 Agustus 2016

Ebook Download Breaking Ungodly Soul TiesBy Michael Pitts

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Breaking Ungodly Soul TiesBy Michael Pitts

Multiplied thousands of people of every background, race, and culture respond to altar calls of various types. They come forward, broken and weeping, with desperate desire for deliverance. Yet many of these same people respond again and again to altar call after altar call, regardless of the appeal. One reason so many people continue to struggle without receiving deliverance is ungodly soul ties.
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  • Sales Rank: #110602 in eBooks
  • Published on: 2011-09-27
  • Released on: 2011-09-27
  • Format: Kindle eBook

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Breaking Ungodly Soul TiesBy Michael Pitts PDF

Breaking Ungodly Soul TiesBy Michael Pitts PDF

Breaking Ungodly Soul TiesBy Michael Pitts PDF
Breaking Ungodly Soul TiesBy Michael Pitts PDF